"Cinema has spent over a century refining the grammar of a single rectangle. As displays become increasingly spatial and interconnected, we believe the next frontier is not more pixels—it's a new visual language."
Multi-screen displays are proliferating, but there is no widely accepted cinematic grammar for them.
Tri fold Screens.
As displays become more spatial and interconnected, there is an opportunity—and perhaps a growing need—for a coherent grammar of multi-screen storytelling. Triptych is one attempt to develop that grammar.
Observation
Displays are becoming larger, more numerous, and more spatial.
Problem
Cinema still relies almost entirely on a single-screen grammar.
Insight
Multi-screen storytelling lacks a coherent visual language.
Solution
Triptych Vision proposes a grammar and platform for spatial cinema.
Evidence
Prototype.
Films.
Audience reactions.
Patent filings.
Working playback system.
Market
Filmmakers.
Museums.
Theaters.
Live experiences.
Education.
Business
Licensing.
Software.
Exhibition.
Creator ecosystem.
Vision
Become the platform for multi-screen cinematic storytelling.
On the emergence of premium cinema format. Or, why distinctive formats are winning cinema.
“At the AMC Lincoln Square 13, ‘The Odyssey’ is playing the way Christopher Nolan intended — off a 70-mm. film print on a screen 101 feet wide and 76 feet tall. Lincoln Square is one of only 25 theaters in the U.S., and 41 on earth, that can show the movie this way. Face value for those tickets is $33, but good luck finding one: ‘Odyssey’ screenings at Lincoln Square have largely sold out through mid-August and pairs of seats have traded on eBay for nearly $1,000.” - New York Magazine “How IMAX won the movies”